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Christopher O'Riley 


"True Love Waits": Christopher O'Riley Plays Radiohead
review by Ed Vincent
"Oak Park Journal Recommended"

The Radiohead music itself is something of  a muted splash of reality having a nice beat, sort of a Tom Waits tour of classical potentials.  The mind can envision a new Jaguar traveling along
a windy road through the Rocky Mountains.  It would be best though if this were a dream because I want to take the car off the road and fly with it through the clouds.  I have been in the
Rockies years ago with planes flying beneath Trailridge Road, and clouds beneath as well.  Now that Christopher O'Riley has taken the incredible effort to arrange many of these songs for piano, it is something to behold.  I enjoyed my listening to Radiohead well enough, but strongly prefer the work that Mr. Christopher O'Riley has done with Radioheads creations.  Certain instruments like piano and violin are beautiful to even look at, let alone play them.  Mr. O'Riley not only plays the piano very very well, he has done a wonderful job of arranging.
This is a fun album and a must for both Radiohead fans and lovers of new piano compositions.



One of the most acclaimed and imaginative classical pianists of his 
generation, Christopher O'Riley will be performing his virtuoso piano interpretations of the repertoire of English art-rock band Radiohead at a series of recitals exclusively devoted to this material (see itinerary attached below) as well as other concerts with programs divided between this and conventional classical repertoire.  These dates are added to an already busy schedule of strictly classical performances, both solo and with symphonies around the United States.  In 
the midst of all this, O'Riley continues to tape installments of his highly successful weekly PRI program, "From The Top," currently the fifth highest-rated public radio show in the country.

The music of Radiohead has been "the music 'in my head'" for O'Riley ever since he discovered the Grammy Award-winning band with the release of OK Computer in 1997.  O'Riley's obsession with Radiohead's songs only intensified when he heard more.  It led him to create virtuoso piano versions of the songs he could play and enjoy himself, and he introduces them to the general listening 
public on the new Odyssey/Sony Classical recording True Love Waits: Christopher O'Riley Plays Radiohead.  The release almost immediately has been met with extraordinary critical acclaim.

[Christopher O'Riley] is melodically vivid yet also noisily orchestral, 
revoicing Radiohead's distortions, threats, loveliness and dismay.  With unblinking virtuosity, he captures the band's signature contradiction: encountering something exhilarating -- an airport lounge interior, love -- and feeling simultaneously somehow unwell. - Rolling Stone/James Hunter **** June 12, 2003

By stripping away the textures of the originals, [Christopher O'Riley] 
illuminates the idiosyncratic chord progressions and melodies that lie at the music's heart. That's not to say that Mr. O'Riley doesn't provide a textural context. His accompanying figures, often a brisk alternation of arpeggiation, quickly grabbed chords and touches of filigree, are the pianistic equivalent of guitar strumming and drums. He suggests the sheer sonic grandeur of "Airbag" and "Black Star," and if he can't reproduce the coloristic palette of "Fake Plastic 
Trees," he supplies a dynamic range that suggests its intensity. He is at his best, not surprisingly, when the music is at its gentlest, as in "Exit Music (for a Film)," which could be mistaken, even in Radiohead's version, for a song by Leonard Cohen or Jacques Brel. - Sunday New York Times/Allan Kozinn June 8, 2003

Radiohead's cryptic, intricate music lends itself perfectly to [Christopher O'Riley's]  interpretive skill. Since he began playing fragments of the band's songs as station-break filler on "From the Top," the public radio show he hosts for young musicians, he often finds himself spending 12 hours and more nonstop, puzzling out another Radiohead song for transcription. The result is a gorgeous set of would-be nocturnes and rhapsodies featuring some of those murky melodies so recognizable to fans of the band -- "Everything In Its Right Place," "Fake Plastic Trees," "Exit Music (For a Film)." - Sunday San Francisco Chronicle/James Sullivan June 8, 2003

In O'Riley's hands, the [music] has the feeling of a musical merger, in which an accomplished classical pianist's refined touch and musicality add sophistication to pop music, even if it already strains to move beyond pop simplicity. 

The worlds collide in interesting ways. - Sunday Los Angeles Times/Joe Woodard June 8, 2003

O'Riley loves these songs because exposed to the elements they still feel warm to the touch--because the band, despite its best/worst efforts, still writes astonishing songs it would prefer to bury than  praise. They need no guitars, no static, no singer--no words, in other words, just  someone with a match and a can of gas to set them ablaze. -- Dallas Observer/Robert Wilonsky June 5, 2003    

O'Riley was hooked on his first encounter with the music of Radiohead.  "The band takes craft seriously," he says of Radiohead's "pristine songwriting and experimentation."

"I've listened to everything I could get my hands on, including b-sides and rare live tracks," he continues.  "Transcribing music is not my usual area of expertise as an interpreter, yet on occasion throughout my concert career I have made piano versions of music I especially covet … it was not until my obsessions with Radiohead that I felt compelled to tackle dozens of songs as a single project."

O'Riley has always been adventurous and uninhibited in programming his recitals and concerts, and his enthusiasm for Radiohead is typical of his wide-ranging interests.  Because the band's music has never been published as sheet music, the pianist's only recourse in performing the songs was to work out his own 
transcriptions, taking the tunes apart note by note.  He began playing his interpretations casually station-break filler for From the Top, the public radio show he hosts for young musicians, and later performed them on NPR's Performance Today.

"That's what got the message out," O'Riley says.  "My performances lived on the show's Web site, and all the Radiohead fan sites linked them.  By then it had become clear that this was a record."

True Love Waits features the pianist's transcriptions of 15 Radiohead songs written by the band's five members - Thomas Yorke, Jonathan Greenwood, Colin Greenwood, Philip Selway and Edward O'Brien.  Selections were drawn from five of Radiohead's albums: Pablo Honey, The Bends, OK Computer, Kid A and Amnesiac.  
They include the title song, "Everything In Its Right Place," "Knives Out," "Black Star," "Karma Police", "Let Down," "Airbag," "Subterranean Homesick Alien," "Thinking About You," "Exit Music (For a Film)," "You," "Bulletproof," "Fake Plastic Trees," "I Can't" and "Motion Picture Soundtrack."

O'Riley has and continues to enjoy a thriving traditional concert career that includes solo recitals, chamber music and orchestral performances of the standard piano literature, as well as other keyboard works reaching from the English Renaissance to the modern tango.  He has won top prizes at the Van Cliburn, 
Leeds, Busoni and Montreal piano competitions, and is the recipient of an Avery Fisher Career Grant and the Andrew Wolf Memorial Chamber Music Prize.  

Pianist Christopher O'Riley's True Love Waits will be featured at on Sony Classical's Web site at www.sonyclassical.com.  The site will include album art, track listings, sound clips, multimedia features and more.  Sony Classical's Web site is an online resource for exploring the label's entire catalogue of recordings, features an online radio show, album supersites, multimedia, artist biographies, tour schedules and discographies for all Sony Classical artists, as well as special promotions, and much more.



CHRISTOPHER O'RILEY  ITINERARY

Date                City                                 Venue
*June 16        Chicago, IL     Ravinia Festival 
                                           (late night All-Radiohead
Recital following performance w/ Tokyo String Quartet)

*June 20        Tijuana, Mexico     CECUT Theatre/Mainly Mozart Festival
*June 21        San Diego, CA   Spreckels Theatre/Mainly Mozart Festival
*June 22        San Diego, CA   Neurosciences Institute/Mainly Mozart Fest.
*June 29        Brevard, NC     Porter Center for the Performing Arts 
("From The Top" taping - contact: 888-384-8682 to attend)

July 3-8        Jackson Hole, WY    Grand Teton Festival
*July10             New York, NY        Joe's Pub (All-Radiohead Recital)
*July12             Middletown, CT  Wesleyan University 
(Half Radiohead, half traditional classical repertoire)

*July 20            Portland, OR        Portland State University 
(Half Radiohead, half traditional classical repertoire)

*August 8-10        Santa Cruz, CA      Cabrillo Festival 
(All-Radiohead Recital) 

August 14-15        Pittsburgh, PA  Pittsburgh Symphony
August 15       Bushkill, PA        Mountain Laurel Center for the Performing
Arts ("From The Top" taping - contact: 866-458-8652 to attend)
August 28-31        Chicago, IL         Ravinia Festival
September 2     Los Angeles, CA Hollywood Bowl
September 5     Larmie, WY      Wyoming University (All-Radiohead Recital)
September 17    Berkeley, CA        Univ. of CA/Berkeley, Zellerbach 
(All-Radiohead Recital)

September 20-22         Houston, TX         Houston Symphony
September 25            St. Louis, MO       Sheldon Theater 
(All-Radiohead Recital)

September 27-28     St. Louis, MO       St. Louis Symphony
September 30            Jefferson City, TN  Carson Newman College 
(Half Radiohead, half traditional repertoire recital)

October 5       Boston, MA      Jordan Hall ("From The Top" taping - contact:
617-585-1260 to attend

October 11          Evanston, IL        Northwestern University
(half Radiohead, half traditional repertoire)

October 14          San Luis Obispo, CA     Cal Poly Tech 
(All-Radiohead Recital)

October 18      Lubbock, TX     Allen Theater, Texas Tech University
("From The Top" taping - contact: 806-742-3100 to attend)

October 24-25       San Antonio, TX     San Antonio Symphony 
November 7  Troy, NY        Troy Savings Bank Music Hall 
("From The Top" taping - contact: 518-273-0038 to attend)

November 20         Tacoma, WA      Broadway Center (All-Radiohead Recital)
November 22-25      Portland, OR        Oregon Symphony



An artist whose poetic gifts and captivating virtuosity have made him one of the most important and versatile pianists performing before the public today, Christopher O'Riley enjoys a thriving concert career.  His singularly broad repertoire ranges from music of the English Renaissance and French Baroque periods to the new works of today's leading composers to such non-classical forms 
as the tango.  He also plays many of his own arrangements and transcriptions.  

His performing schedule regularly takes him to major cities throughout North America and he has been highlighted by frequent engagements at both Lincoln Center and the Kennedy Center. Internationally, he has appeared in cultural capitals worldwide from London, Paris and Vienna to Hong Kong and Melbourne, 
Australia.

Christopher O'Riley makes his debut on the Odyssey/Sony Classical label with the worldwide release this spring of True Love Waits: Christopher O'Riley Plays Radiohead, a new recording that introduces his piano transcriptions of songs by the alternative rock band Radiohead.

Recognition of O'Riley's talent has been widespread.  His honors include top prizes at the Van Cliburn, Leeds, Busoni and Montreal competitions, as well as an Avery Fisher Career Grant and the Andrew Wolf Memorial Chamber Music Prize.  As an emerging young pianist, he enjoyed the sponsorship of Young Concert 
Artists, the Xerox/Affiliate Artists Program and the Pro Musicis Foundation.

O'Riley's recordings also reflect the originality of his programming.  Among his highly acclaimed solo releases are a Scriabin disc for Image Recordings and an all-Stravinsky disc on Elektra Nonesuch, featuring "Three Movements from Petrouchka" and O'Riley's own transcriptions of Apollo and L'Histoire du Soldat.  He can also be heard on an RCA Victor Red Seal release of French repertoire for flute and piano with James Galway.  His discography is further 
highlighted by a Busoni album (including the rarely-heard Fantasia Contrapuntistica), a disc of Ravel's solo works, a recording of Beethoven Piano Sonatas, a collaboration with cellist Carter Brey entitled Le Grand Tango, and the premiere recording of "The Short-Tempered Clavier" by the fabled composer P.D.Q. Bach.

Even as he explores new stylistic territory, O'Riley remains in demand for his unique interpretations of the standard piano literature.  He is a favorite guest with the foremost orchestras in Boston, Los Angeles, New York, San Francisco, Philadelphia, Cincinnati, Minnesota, Kansas City, Atlanta, Pittsburgh and 
St. Louis, among other cities.  He was also the featured soloist with the Ulster Orchestra on its first American tour in 1992.  The illustrious group of conductors with whom he has collaborated includes David Zinman, Leonard Slatkin, John Williams, Neeme Järvi, Edo de Waart, Yoel Levi, Hugh Wolff and Andrew Litton.

In addition to his regular touring, O'Riley has recently undertaken several new projects.  He has established Los Tangueros, a partnership with Argentine pianist Pablo Ziegler that has been touring with a program of two-piano arrangements of Astor Piazzolla's classic tangos.  In the spring of 1999 he began a collaboration with choreographer and director Martha Clarke, who has staged 
several stories of Anton Chekhov set to the piano works of Alexander Scriabin, performed live on stage by O'Riley.  This production, titled Vers le Flamme, has toured Europe and the United States, and has been presented by many leading performing arts centers and venues, including Jacob's Pillow, Lincoln Center, 
the Kennedy Center, the Krannert Center (Champagne/Urbana) and the University Musical Society in Ann Arbor.  O'Riley is also the host of a nationally distributed radio program for Public Radio International, From the Top, which showcases the vibrant performances and personalities of young musicians.
 
An enthusiastic advocate of new music, O'Riley has twice participated in the annual "Absolut Concerto" concerts at Avery Fisher Hall, premiering works of Richard Danielpour and Michael Torke.  In 1999-2000 he performed Michael Daugherty's "Le Tombeau de Liberace" with the Detroit Symphony and with the Saint Paul Chamber Orchestra, both in St. Paul and on tour.  He has also recently given premieres of works by Aaron Jay Kernis, including his piano quartet, "Still Movement with Hymn," (also recorded for Decca's Argo label) and the "Superstar" Etude No. 1, inspired by the pianism of Jerry Lee Lewis.  O'Riley's other 
recordings include an Albany release of pieces by John Adams, Robert Helps, Todd Brief and Roger Sessions, and a disc of solo and chamber works by Danielpour for Koch International.

Christopher O'Riley is the recipient of an Artist's Diploma from the New England Conservatory of Music, where he studied with Russell Sherman.  He maintains a website at www.christopheroriley.com.

The Link below will take you to the Radiohead site where
you can here songs from their new album.
http://capitolrecords.com/radiohead/player/