Christopher O'Riley

"True Love Waits": Christopher O'Riley Plays Radiohead
review by Ed Vincent
"Oak Park Journal Recommended"
The Radiohead music itself is
something of a muted splash of reality having a nice beat, sort of
a Tom Waits tour of classical potentials. The mind can envision a
new Jaguar traveling along
a windy road through the Rocky
Mountains. It would be best though if this were a dream because I
want to take the car off the road and fly with it through the clouds.
I have been in the
Rockies years ago with planes
flying beneath Trailridge Road, and clouds beneath as well. Now that
Christopher O'Riley has taken the incredible effort to arrange many
of these songs for piano, it is something to behold. I enjoyed my
listening to Radiohead well enough, but strongly prefer the work that Mr.
Christopher O'Riley has done with Radioheads creations. Certain instruments
like piano and violin are beautiful to even look at, let alone play them.
Mr. O'Riley not only plays the piano very very well, he has done a wonderful
job of arranging.
This is a fun album and a must for both Radiohead
fans and lovers of new piano compositions.
One of the most acclaimed and imaginative classical pianists
of his
generation, Christopher O'Riley will be performing his
virtuoso piano interpretations of the repertoire of English art-rock band
Radiohead at a series of recitals exclusively devoted to this material
(see itinerary attached below) as well as other concerts with programs
divided between this and conventional classical repertoire. These
dates are added to an already busy schedule of strictly classical performances,
both solo and with symphonies around the United States. In
the midst of all this, O'Riley continues to tape installments
of his highly successful weekly PRI program, "From The Top," currently
the fifth highest-rated public radio show in the country.
The music of Radiohead has been "the music 'in my head'"
for O'Riley ever since he discovered the Grammy Award-winning band with
the release of OK Computer in 1997. O'Riley's obsession with Radiohead's
songs only intensified when he heard more. It led him to create virtuoso
piano versions of the songs he could play and enjoy himself, and he introduces
them to the general listening
public on the new Odyssey/Sony Classical recording True
Love Waits: Christopher O'Riley Plays Radiohead. The release almost
immediately has been met with extraordinary critical acclaim.
[Christopher O'Riley] is melodically vivid yet also noisily
orchestral,
revoicing Radiohead's distortions, threats, loveliness
and dismay. With unblinking virtuosity, he captures the band's signature
contradiction: encountering something exhilarating -- an airport lounge
interior, love -- and feeling simultaneously somehow unwell. - Rolling
Stone/James Hunter **** June 12, 2003
By stripping away the textures of the originals, [Christopher
O'Riley]
illuminates the idiosyncratic chord progressions and
melodies that lie at the music's heart. That's not to say that Mr. O'Riley
doesn't provide a textural context. His accompanying figures, often a brisk
alternation of arpeggiation, quickly grabbed chords and touches of filigree,
are the pianistic equivalent of guitar strumming and drums. He suggests
the sheer sonic grandeur of "Airbag" and "Black Star," and if he can't
reproduce the coloristic palette of "Fake Plastic
Trees," he supplies a dynamic range that suggests its
intensity. He is at his best, not surprisingly, when the music is at its
gentlest, as in "Exit Music (for a Film)," which could be mistaken, even
in Radiohead's version, for a song by Leonard Cohen or Jacques Brel. -
Sunday New York Times/Allan Kozinn June 8, 2003
Radiohead's cryptic, intricate music lends itself perfectly
to [Christopher O'Riley's] interpretive skill. Since he began playing
fragments of the band's songs as station-break filler on "From the Top,"
the public radio show he hosts for young musicians, he often finds himself
spending 12 hours and more nonstop, puzzling out another Radiohead song
for transcription. The result is a gorgeous set of would-be nocturnes and
rhapsodies featuring some of those murky melodies so recognizable to fans
of the band -- "Everything In Its Right Place," "Fake Plastic Trees," "Exit
Music (For a Film)." - Sunday San Francisco Chronicle/James Sullivan June
8, 2003
In O'Riley's hands, the [music] has the feeling of a musical
merger, in which an accomplished classical pianist's refined touch and
musicality add sophistication to pop music, even if it already strains
to move beyond pop simplicity.
The worlds collide in interesting ways. - Sunday Los Angeles
Times/Joe Woodard June 8, 2003
O'Riley loves these songs because exposed to the elements
they still feel warm to the touch--because the band, despite its best/worst
efforts, still writes astonishing songs it would prefer to bury than
praise. They need no guitars, no static, no singer--no words, in other
words, just someone with a match and a can of gas to set them ablaze.
-- Dallas Observer/Robert Wilonsky June 5, 2003
O'Riley was hooked on his first encounter with the music
of Radiohead. "The band takes craft seriously," he says of Radiohead's
"pristine songwriting and experimentation."
"I've listened to everything I could get my hands on,
including b-sides and rare live tracks," he continues. "Transcribing
music is not my usual area of expertise as an interpreter, yet on occasion
throughout my concert career I have made piano versions of music I especially
covet … it was not until my obsessions with Radiohead that I felt compelled
to tackle dozens of songs as a single project."
O'Riley has always been adventurous and uninhibited in
programming his recitals and concerts, and his enthusiasm for Radiohead
is typical of his wide-ranging interests. Because the band's music
has never been published as sheet music, the pianist's only recourse in
performing the songs was to work out his own
transcriptions, taking the tunes apart note by note.
He began playing his interpretations casually station-break filler for
From the Top, the public radio show he hosts for young musicians, and later
performed them on NPR's Performance Today.
"That's what got the message out," O'Riley says.
"My performances lived on the show's Web site, and all the Radiohead fan
sites linked them. By then it had become clear that this was a record."
True Love Waits features the pianist's transcriptions
of 15 Radiohead songs written by the band's five members - Thomas Yorke,
Jonathan Greenwood, Colin Greenwood, Philip Selway and Edward O'Brien.
Selections were drawn from five of Radiohead's albums: Pablo Honey, The
Bends, OK Computer, Kid A and Amnesiac.
They include the title song, "Everything In Its Right
Place," "Knives Out," "Black Star," "Karma Police", "Let Down," "Airbag,"
"Subterranean Homesick Alien," "Thinking About You," "Exit Music (For a
Film)," "You," "Bulletproof," "Fake Plastic Trees," "I Can't" and "Motion
Picture Soundtrack."
O'Riley has and continues to enjoy a thriving traditional
concert career that includes solo recitals, chamber music and orchestral
performances of the standard piano literature, as well as other keyboard
works reaching from the English Renaissance to the modern tango.
He has won top prizes at the Van Cliburn,
Leeds, Busoni and Montreal piano competitions, and is
the recipient of an Avery Fisher Career Grant and the Andrew Wolf Memorial
Chamber Music Prize.
Pianist Christopher O'Riley's True Love Waits will be
featured at on Sony Classical's Web site at www.sonyclassical.com.
The site will include album art, track listings, sound clips, multimedia
features and more. Sony Classical's Web site is an online resource
for exploring the label's entire catalogue of recordings, features an online
radio show, album supersites, multimedia, artist biographies, tour schedules
and discographies for all Sony Classical artists, as well as special promotions,
and much more.
CHRISTOPHER O'RILEY ITINERARY
Date
City
Venue
*June 16 Chicago,
IL
Ravinia Festival
(late night All-Radiohead
Recital following performance w/ Tokyo String Quartet)
*June 20
Tijuana, Mexico CECUT Theatre/Mainly Mozart Festival
*June 21
San Diego, CA Spreckels Theatre/Mainly Mozart Festival
*June 22
San Diego, CA Neurosciences Institute/Mainly Mozart Fest.
*June 29
Brevard, NC Porter Center for the Performing Arts
("From The Top" taping - contact: 888-384-8682
to attend)
July 3-8
Jackson Hole, WY Grand Teton Festival
*July10
New York, NY Joe's Pub (All-Radiohead
Recital)
*July12
Middletown, CT Wesleyan University
(Half Radiohead, half traditional classical
repertoire)
*July 20
Portland, OR Portland State University
(Half Radiohead, half traditional classical
repertoire)
*August 8-10
Santa Cruz, CA Cabrillo Festival
(All-Radiohead Recital)
August 14-15
Pittsburgh, PA Pittsburgh Symphony
August 15
Bushkill, PA Mountain Laurel
Center for the Performing
Arts ("From The Top" taping - contact: 866-458-8652
to attend)
August 28-31
Chicago, IL Ravinia
Festival
September 2 Los Angeles,
CA Hollywood Bowl
September 5 Larmie,
WY Wyoming University (All-Radiohead Recital)
September 17 Berkeley,
CA Univ. of CA/Berkeley, Zellerbach
(All-Radiohead Recital)
September 20-22
Houston, TX Houston Symphony
September 25
St. Louis, MO Sheldon Theater
(All-Radiohead Recital)
September 27-28 St.
Louis, MO St. Louis Symphony
September 30
Jefferson City, TN Carson Newman College
(Half Radiohead, half traditional repertoire
recital)
October 5
Boston, MA Jordan Hall ("From The Top" taping
- contact:
617-585-1260 to attend
October 11
Evanston, IL Northwestern
University
(half Radiohead, half traditional repertoire)
October 14
San Luis Obispo, CA Cal Poly Tech
(All-Radiohead Recital)
October 18 Lubbock,
TX Allen Theater, Texas Tech University
("From The Top" taping - contact: 806-742-3100
to attend)
October 24-25
San Antonio, TX San Antonio Symphony
November 7 Troy, NY
Troy Savings Bank Music Hall
("From The Top" taping - contact: 518-273-0038
to attend)
November 20
Tacoma, WA Broadway Center (All-Radiohead
Recital)
November 22-25
Portland, OR Oregon Symphony
An artist whose poetic gifts and captivating virtuosity
have made him one of the most important and versatile pianists performing
before the public today, Christopher O'Riley enjoys a thriving concert
career. His singularly broad repertoire ranges from music of the
English Renaissance and French Baroque periods to the new works of today's
leading composers to such non-classical forms
as the tango. He also plays many of his own arrangements
and transcriptions.
His performing schedule regularly takes him to major cities
throughout North America and he has been highlighted by frequent engagements
at both Lincoln Center and the Kennedy Center. Internationally, he has
appeared in cultural capitals worldwide from London, Paris and Vienna to
Hong Kong and Melbourne,
Australia.
Christopher O'Riley makes his debut on the Odyssey/Sony
Classical label with the worldwide release this spring of True Love Waits:
Christopher O'Riley Plays Radiohead, a new recording that introduces his
piano transcriptions of songs by the alternative rock band Radiohead.
Recognition of O'Riley's talent has been widespread.
His honors include top prizes at the Van Cliburn, Leeds, Busoni and Montreal
competitions, as well as an Avery Fisher Career Grant and the Andrew Wolf
Memorial Chamber Music Prize. As an emerging young pianist, he enjoyed
the sponsorship of Young Concert
Artists, the Xerox/Affiliate Artists Program and the
Pro Musicis Foundation.
O'Riley's recordings also reflect the originality of his
programming. Among his highly acclaimed solo releases are a Scriabin
disc for Image Recordings and an all-Stravinsky disc on Elektra Nonesuch,
featuring "Three Movements from Petrouchka" and O'Riley's own transcriptions
of Apollo and L'Histoire du Soldat. He can also be heard on an RCA
Victor Red Seal release of French repertoire for flute and piano with James
Galway. His discography is further
highlighted by a Busoni album (including the rarely-heard
Fantasia Contrapuntistica), a disc of Ravel's solo works, a recording of
Beethoven Piano Sonatas, a collaboration with cellist Carter Brey entitled
Le Grand Tango, and the premiere recording of "The Short-Tempered Clavier"
by the fabled composer P.D.Q. Bach.
Even as he explores new stylistic territory, O'Riley remains
in demand for his unique interpretations of the standard piano literature.
He is a favorite guest with the foremost orchestras in Boston, Los Angeles,
New York, San Francisco, Philadelphia, Cincinnati, Minnesota, Kansas City,
Atlanta, Pittsburgh and
St. Louis, among other cities. He was also the
featured soloist with the Ulster Orchestra on its first American tour in
1992. The illustrious group of conductors with whom he has collaborated
includes David Zinman, Leonard Slatkin, John Williams, Neeme Järvi,
Edo de Waart, Yoel Levi, Hugh Wolff and Andrew Litton.
In addition to his regular touring, O'Riley has recently
undertaken several new projects. He has established Los Tangueros,
a partnership with Argentine pianist Pablo Ziegler that has been touring
with a program of two-piano arrangements of Astor Piazzolla's classic tangos.
In the spring of 1999 he began a collaboration with choreographer and director
Martha Clarke, who has staged
several stories of Anton Chekhov set to the piano works
of Alexander Scriabin, performed live on stage by O'Riley. This production,
titled Vers le Flamme, has toured Europe and the United States, and has
been presented by many leading performing arts centers and venues, including
Jacob's Pillow, Lincoln Center,
the Kennedy Center, the Krannert Center (Champagne/Urbana)
and the University Musical Society in Ann Arbor. O'Riley is also
the host of a nationally distributed radio program for Public Radio International,
From the Top, which showcases the vibrant performances and personalities
of young musicians.
An enthusiastic advocate of new music, O'Riley has twice
participated in the annual "Absolut Concerto" concerts at Avery Fisher
Hall, premiering works of Richard Danielpour and Michael Torke. In
1999-2000 he performed Michael Daugherty's "Le Tombeau de Liberace" with
the Detroit Symphony and with the Saint Paul Chamber Orchestra, both in
St. Paul and on tour. He has also recently given premieres of works
by Aaron Jay Kernis, including his piano quartet, "Still Movement with
Hymn," (also recorded for Decca's Argo label) and the "Superstar" Etude
No. 1, inspired by the pianism of Jerry Lee Lewis. O'Riley's other
recordings include an Albany release of pieces by John
Adams, Robert Helps, Todd Brief and Roger Sessions, and a disc of solo
and chamber works by Danielpour for Koch International.
Christopher O'Riley is the recipient of an Artist's Diploma
from the New England Conservatory of Music, where he studied with Russell
Sherman. He maintains a website at www.christopheroriley.com.
The Link below will take you to the Radiohead site where
you can here songs from their new album.
http://capitolrecords.com/radiohead/player/ |