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Ensemble
members Tim Hopper and Ora Jones in “The Crucible” by Arthur Miller,
directed
by ensemble member Anna D. Shapiro.
photo by Michael Brosilow
STEPPENWOLF
THEATRE COMPANY PRESENTS
“The
Crucible”
September 13- November 11, 2007
review by Ed
Vincent
<>Steppenwolf's Crucible is a grand
production, and if you
bring along someone with wit you'll have hours to discuss
all of the subtle and more obvious threads of the drama and how the
cloth spun in the time of America's Red scare. Arthur Miller was
a wonderful writer and his choosing the Salem Witch trials was appropo
and topical for its time (1950's), the sad
note is that it remains topical and appropo for our time. The
City
of Chicago has chosen 'the Crucible' as its 'One Book, One Chicago'
event for this fall-showcasing this drama and hosting more
talks. The Puritans were some crazy cult mongers who wanted to
have a theocracy of the chosen few, since they held to predestination
in one's fate for the hereafter. In this pressure cooker of pious
nonsense the State of Massachusetts executed
its first person by hanging for having sex with almost all of the
farm animals on his land. The animals were all killed before
he was hanged and the Puritans held that the devil had taken control of
those engaging in bestiality and blurred their vision.
We have mostly left those crazy times in New England and today those
wild moronic behaviors mostly find themselves
in certain primative areas of the Middle East and the science
fearing members of today's right winged establishment.
Steppenwolf's cast is wonderful, though at first a bit confusing.
I noted the black woman playing the role of a slave from Barbados (Ora
Jones, as Tituba) but became a little stymied
when other blacks came to the stage and thought at first they too were
slaves. It soon became apparent that skin color was
not to be noted in the casting and yet having a mixed racial
cast brought the whole drama even more into today's world.
The sets were beautiful, artistically transitioned, and lit with
spectral drama. The entire cast was a treat but my attention
was drawn to the works of Tim Hopper, as Reverend Hale,
James Vincent Meredith, as John Proctor, and Francis Guinan, as Deputy
Governor Danforth. They had some great lines to
give and they did so very well.
>
Kelly
O’Sullivan and ensemble member Ian Barford
photo by Michael Brosilow
Ensemble members James Vincent
Meredith and Alana Arenas
photo by Michael Brosilow
The play
is another treat presented to the patrons of art,
so get your tickets soon and enjoy the show.
Chicago— Steppenwolf
Theatre Company opens its 32nd season
with The
Crucible by Arthur Miller,
directed by ensemble member Anna D.
Shapiro, featuring ensemble members Alana
Arenas, Ian Barford, Francis Guinan, Tim Hopper, Ora Jones, James
Vincent
Meredith, Sally Murphy and Alan
Wilder with Lucy Carapetyan, Maury
Cooper, Justin James Farley, Chiké Johnson, Leonard J. Kraft,
Mildred Marie
Langford, John Lister, Ginger Lee McDermott, Kelly O'Sullivan, Tim
Edward
Rhoze, Mary Seibel and Lee Stark.
The production runs September 13- November 11, 2007, in the Steppenwolf
Downstairs Theatre, 1650 N. Halsted St. The
press performance is Saturday, September 22, 2007, at 3:00 p.m.
When teenage girls are discovered trying to conjure spirits, the 17th
century
town of Salem explodes with accusations of witchcraft. The vicious
trials that
follow expose a community paralyzed by fear, religious extremism and
greed.
Ensemble member Anna D. Shapiro directs this timeless tale by one of
the
greatest American playwrights of all time.
“Arthur Miller is a playwright whose artistic life has been, in the
main, an
inquiry into the American character and the socio-political culture
that shapes
us as Americans,” comments Artistic Director Martha Lavey.
“His voice is eloquent, searing, and
passionate. And The Crucible
is, like Death of a Salesman, one of
Millers' signature plays: a play that has come to define the playwright
and has
come to serve as a touchstone in the canon of contemporary American
drama.”
The Chicago
Public Library has chosen The Crucible as the Fall 2007
selection for
the One Book, One Chicago citywide
book club. Steppenwolf is thrilled that
this partnership encourages Chicagoans to not only read Miller’s
much-admired
work, but to see it on the stage. The
Library
is pleased to be partnering with Steppenwolf Theatre on a series of
public
programs taking place at a number of CPL locations throughout the city
in
September and October. For
information on these, as well as all the special events, film
screenings and
book discussions taking place for One Book, One Chicago, visit
chicagopubliclibrary.org or call (312) 747-8191.
The designers of The Crucible are Todd
Rosenthal (set), Don Holder
(lights), Virgil Johnson (costumes), Rob
Milburn and Michael
Bodeen (sound).
Michelle Medvin is the stage manager and Lauren
V. Hickman is the assistant stage manager.
Title:
The
Crucible
Playwright:
Arthur Miller
Directed by:
ensemble
member Anna D. Shapiro
Featuring:
ensemble
members Alana Arenas, Ian Barford, Francis Guinan,
Tim Hopper, Ora
Jones, James Vincent
Meredith, Sally Murphy and Alan Wilder
with Lucy Carapetyan, Maury Cooper, Justin James Farley, Chike Johnson,
Leonard
Kraft, Mildred Marie Langford, John Lister, Ginger Lee McDermott, Kelly
O'Sullivan, Tim Edward Rhoze, Mary Seibel and Lee Stark
Location:
Steppenwolf Downstairs Theatre, 1650 N. Halsted
Dates:
Previews:
September 13- 22, 2007
Press
preview: September 22, 2007, at 3:00 p.m.
Opening:
September 23, 2007, at
6:00 p.m.
Regular
run: September 25- November 11, 2007
Curtain Times: Tuesday through Sunday at
7:30 p.m.,
Saturday and Sunday
matinees at 3:00 p.m.
Wednesday matinees on October 24, 31 and November 7, 2007,
at 2:00 p.m.
There will be no Sunday evening performances on October 28,
November 4 and 11, 2007.
Ticket price: Regular
Run: $20- $68
Twenty
$20 tickets are available at
Audience Services beginning
at 11:00 a.m. on the day of each performance.
Audience Services: 1650 N. Halsted,
312-335-1650
Online
ticketing available at www.steppenwolf.org
Free post-show discussions, sponsored
by AT&T, are offered after every performance.
Production Sponsors of The
Crucible are JPMorganChase &
Foley and Lardner LLP.
Steppenwolf is located near all forms of public transportation and is
wheelchair accessible. Street and lot parking are available.
Assistive listening devices are available for every performance.
Committed to the principle of ensemble performance through the
collaboration of
a company of actors, directors and playwrights, Steppenwolf Theatre
Company's
mission is to advance the vitality and diversity of American theater by
nurturing artists, encouraging repeatable creative relationships and
contributing new works to the national canon. The company, formed in
1976 by a
collective of actors, is dedicated to perpetuating an ethic of mutual
respect
and the development of artists through on-going group work. Steppenwolf
has
grown into an internationally renowned company of forty-one artists
whose
talents include acting, directing, playwriting, filmmaking and textual
adaptation.
Biographies
Arthur Miller (Playwright) was a
prominent figure in American literature
for over 61 years, writing a wide variety of plays, including The Crucible, All My Sons, and Death of a
Salesman. Miller was the recipient of the New York Drama Critics
Circle
award, multiple Tony awards and the Pulitzer Prize for Drama.
Anna D. Shapiro (Director) joined
the ensemble in 2005 and has directed August:
Osage County by Tracy Letts, The
Unmentionables by Bruce Norris (also at Yale Rep), the
world premiere of Bruce Norris’ The Pain and the Itch (also
in New York), Robert Anderson’s I Never Sang for My
Father, the world
premiere of Tracy Letts’
Man from
Nebraska, Until We Find Each Other by Brooke Berman, Purple
Heart by Bruce Norris (also in Galway, Ireland), The
Drawer Boy by Michael Healey, the
world premiere of The Ordinary Yearning
of Miriam Buddwing by Alexandra Gersten-Vassilaros, Warren
Leight’s Side Man (also in Ireland, Australia and
Vail, Colorado), Richard Greenberg’s Three
Days of Rain and the world premiere of Bruce Norris’ The
Infidel. Other credits include A Number at
American Conservatory Theatre, The Drawer Boy with
ensemble member John Mahoney at the Paper Mill
Playhouse, Iron at Manhattan Theatre
Club, A Fair Country by Jon Robin
Baitz at the Huntington Theatre Company, The
Infidel at Philadelphia Theatre Company and
Edwin Sanchez’ Trafficking in Broken Hearts for the
Atlantic Theatre Company. Shapiro is a graduate of the Yale School of
Drama and
the recipient of a 1996 Princess Grace Award. She joined the faculty of
Northwestern University as head
of the Graduate Directing Program in Theatre in
the fall of 2002.
Alana Arenas (Mary Warren) joined
the ensemble in 2007 and created the role of Pecola Breedlove for the
Steppenwolf for Young Adults production of The
Bluest Eye, which also played at the New Victory Theater
Off-Broadway.
Other Steppenwolf credits include Spare
Change and The Sparrow Project,
both for First Look Repertory of New Work. She is originally from Miami
where
she began her training at the New World School of the Arts. Alana holds
a BFA
from the Theatre School at DePaul.
Ian Barford (Reverend Parris) joined the ensemble in 2007 and most
recently
appeared in August: Osage County. He
was the recipient of the National Theatre Conference/Steppenwolf
Theatre “most
promising artist” award in 1996. Work with Steppenwolf includes Betrayal, Love Song, Lost Land, The
Libertine, Three Days of Rain, The Berlin Circle, As I
Lay Dying, Time of My Life and The Rise and Fall of Little Voice,
which also played on Broadway (Outer Circle Critics award nomination).
Other
Chicago credits include All the Rage and Design
for Living at the Goodman; Othello at Chicago
Shakespeare and Mad
Forest at Remains. In Los Angeles,
Barford appeared in Dead End
(Ahmanson Theatre) and The Weir, God's
Man in Texas and Take Me Out at
the Geffen Playhouse. Film Credits include 13
Going on 30, Road to Perdition, Catch Me if You Can and Tick-Tock.
TV credits include Medium, Jake in
Progress, Numbers, Without a Trace, Zoey 101, Strong Medicine,
Turks and Days of Our Lives.
Lucy Carapetyan (Mercy Lewis), making her Steppenwolf debut,
graduated from
Northwestern in 2006 and has performed at The Actors Gym and the
Marriott
Theatre in Lincolnshire. She has studied in Prague, Switzerland, and
Bali, and
has taught theatre and circus at the National High School Institute
(Cherub
program), the Chicago Waldorf School, and the Actors Gym.
Maury Cooper (Giles Corey) was most recently seen at Steppenwolf in
the
Steppenwolf for Young Adults production Fahrenheit
451. Chicago credits include performances in Duck
Variations and the Visit at the Goodman Theater.
At the Court Theater, he
played in Heartbreak House, Uncle Vanya,
Hamlet, Mary Stuart, The Cherry Orchard, End Game and The
Invention of Love. He also performed
in Entertaining Mr. Sloan at the Next
Theater and in The Road To Mecca at
Northlight.
In 2003 Mr. Cooper received the Jeff Award for Best Supporting
Actor for his performance in Judgment at
Nuremburg at the Shattered Globe Theater.
Justin James Farley (Hopkins) is
making his Steppenwolf debut. A native of the south suburbs, Justin
attended
Thornridge H.S. and later went on to study Theater at Illinois State
University. His credits include Ma
Rainey’s Black Bottom, Romeo and
Juliet and The Normal Heart. He
was last seen as Ronny in Welcome to the
Moon presented by Goodluck Macbeth Theatre Company in Chicago,
where he is
the Development Director.
Francis Guinan (Deputy Governor
Danforth) joined the ensemble in 1979 and most recently appeared in August: Osage Count, and The Diary of Anne
Frank at Steppenwolf
and Inherit the Wind at Northlight
Theatre. He appeared at
Steppenwolf in Love Song, Cherry
Orchard, Mizlansky/Zilinsky or Schmucks, Skylight, The Libertine, The
Grapes of
Wrath (Broadway) and many others. He and his family recently
relocated to
the Chicago area after 16 years in Los Angeles where he appeared in
some movies
and lots and lots of TV shows.
Tim Hopper (Rev. Hale) joined the
ensemble in
1989 and most recently appeared in The
Violet Hour. Other Steppenwolf appearances include Hedda Gabler, The Glass Menagerie and Picasso
at the Lapin Agile. In New York,
he received an Obie Award for his performance in More
Stately Mansions at New York Theatre Workshop. Films
include the upcoming Tenderness, and Gardener
of Eden, as well as School of Rock, Personal
Velocity, Pipe Dream and To Die For. Television
includes Grey's Anatomy, Medium and Law
and Order: SVU, among others.
Chike Johnson
(Marshal Herrick) most recently appeared in Steppenwolf for Young
Adults
production of Huck Finn and in The
Unmentionables at Steppenwolf and Yale
Rep. Other shows include “MASTER
HAROLD”…and the boys (Next Act Theatre), Adventures of
Huckleberry Finn (Cedarcreek Repertory Theatre), Smoldering
Fires (First Stage Children’s
Theatre) and Take Me Out (The
Milwaukee Chamber Theatre). In 2000, Chike graduated from the
University of
Wisconsin-Milwaukee’s Professional Theater Training Program and later
moved to
Spain where he lived for 3 years. For the past couple of summers Chike
has been
a part of bringing theatre to children by teaching at First Stage
Children’s
Theater Academy, also located in Milwaukee, where he was the
contemporary scene
study teacher.
Ora Jones (Tituba) joined the ensemble in 2007 and has appeared at
Steppenwolf in The Unmentionables, The
Violet Hour (Jeff nomination) and Morning
Star. She received an After Dark award for her role of Stage
Manager in Our Town for Writers' Theatre. Jones has
performed at Chicago Shakespeare Theater in A
Flea in Her Ear, Goodman Theatre in Seeking
the Genesis (Black Theater Alliance Award), Court and Rivendell
Theaters,
Victory Gardens and sailed on the maiden voyage of Chicago Children's
Theatre
with A Year With Frog and Toad
Leonard J. Kraft (Francis Nurse)
returned to the Chicago theatre scene in 1999 and has appeared in more
than
twenty productions with the Shattered Globe, Eclipse, TimeLine, Mary
Arrchie,
Circle, Apple Tree, New Leaf and Chicago Children's Theatre companies,
among
others. The Crucible marks
Leonard's fourth appearance with Steppenwolf, having worked previously
in The Cherry Orchard, Mother Courage
and One Flew
Over the Cuckoo's Nest.
Mildred Marie Langford (Susanna
Wolcott) is a native of Virginia and a graduate of George Mason
University. In
2006 she completed the School at Steppenwolf and is making her
Steppenwolf
debut in The Crucible. Recent
Chicago credits include; SARAFINA! The
Music of Liberation (Fleetwood-Jourdain Theatre), The
Deadline Workshop (Chicago Dramatist) and The Girl in
the Iron Mask (Babes with Blades).
John Lister (Thomas Putnam) is
making his Steppenwolf debut with The
Crucible. Chicago and Regional
Theater credits include She Stoops To
Conquer, Inherit The Wind, Red Herring, and Lady
Windermere’s Fan at Northlight Theatre; A Christmas
Carol at The Goodman Theatre; Henry IV Parts One &
Two, Antony and Cleopatra, The Tempest, Richard II,
The Winter’s Tale, The Herbal Bed at
Chicago Shakespeare Theater; The Lark
at Eclipse Theatre; Enter The Poet at
Collaboraction; numerous productions with Peninsula Players and Notre
Dame
Summer Shakespeare. Television credits include the series Prison
Break. John is most proud of his role as husband to
long-time Steppenwolf stage manager Laura D. Glenn.
Ginger Lee McDermott (Ann Putnam and
Sarah Good), making her Steppenwolf debut, was most recently seen in
Chicago in A Dream Play with the Mill Theatre
and To Save Him with Hatch Theatre.
Other regional theater credits include Proof with
Orlando Theatre Project, A
Doll’s House with Pendragon Theatre and Romeo
and Juliet with National Shakespeare Company.
James Vincent Meredith (John Proctor) joined the ensemble in 2007
and has
appeared in The Bluest Eye (also
Off-Broadway at the New Victory Theater), The
Pain and the Itch, and in the About Face Theatre production of Take Me Out. He is also an ensemble
member at Piven Theater Workshop where he appeared in King
Lear, American Voices
and Our Country's Good. He is
currently appearing in The King and I
at Drury Lane Oakbrook. He recently played the title role in Othello at Writers’ Theatre.
Sally Murphy (Elizabeth Proctor) joined the ensemble in 1993 and
most
recently appeared in Steppenwolf's production of August:
Osage County. Other Steppenwolf credits include The
Royal Family, Mother Courage, Uncle Vanya, Skylight,
Earthly Possessions, Harvey
and The Common Pursuit. Broadway
credits include Fiddler on the Roof, The
Wild Party, Carousel and The Grapes
of Wrath (also London and LaJolla). Sally originated roles in Bernarda Alba and A Man of No Importance
at Lincoln Center and appeared at City
Center Encores in A Tree Grows in
Brooklyn. Recently she played Eliza Doolittle in My
Fair Lady at Signature Theatre in Washington D.C. Other theatre
credits include Vineyard, Goodman, Seattle Rep and Bay Street. Concert
work
includes The Romeo and Juliet Project at
Ravinia with the Chicago Symphony Orchestra and Will the
Circle Be Unbroken? at Millennium Park. Film: Pollock,
Fearless, Scent of a Woman,
Charming Billy. Television: Law and
Order, If These Walls Could Talk, Chicago Hope, Victim of Love, Great
Performances, American Playhouse. Cast recordings: Bernarda
Alba, Fiddler on the Roof, A Man of No Importance, The Wild
Party, Carousel.
Kelly O’Sullivan (Abigail Williams) is
thrilled to
be returning to Steppenwolf after appearing in 100 Saints
You Should Know as part of last summer’s First Look
Repertory of New Work.
Chicago credits include The Dark at
the Top of the Stairs (American Theater Co.), Mr.
Marmalade (Dog & Pony Theatre), Sketchbook 07 (Collaboraction),
Hot
‘n Throbbing (Pine Box Theatre), The
Giver (Apple Tree Theatre), and The
Glory of Living (Profiles Theatre). Kelly is a graduate of
Northwestern University and The School at Steppenwolf. This
winter, she
can be seen in Steppenwolf’s production of Good
Boys and True.
Tim Edward Rhoze (Judge Hawthorne)
was last seen at Steppenwolf in Wendall
Green. Other Chicago Theatre credits include The Gift
Horse, Ma Rainey's
Black Bottom and All the Rage at
the Goodman Theatre, and Northstar, Eden
and Freefall at Victory Gardens.
Mary Seibel (Rebecca Nurse) appeared at the Goodman Theater in The Sandbox, Moonlight and Magnolias and
Galileo;
at Northlight Theater in A Skull In
Connemara; The Cripple Of Inishmaan; A
Perfect Ganesh and Over
The Tavern. At the Royal George and
Apollo Theaters in Lend Me A Tenor
and Steel Magnolias; at Victory
Gardens in The Family Gold and Whales Of
August. Film credits include With Honors, Major League, Raising Arizona, A Wedding, and the TV movie, Normal.
Lee Stark (Betty Parris), making her Steppenwolf debut, graduated
in June
from Northwestern University, where she appeared in Caryl Churchill's Cloud 9, Cymbeline, Madame Bovary, The Bald
Soprano, The Maids, Fifth of July, The Royal Family, and the
original
production of Debbie and the Green Devil.
Lee was the president of Vertigo Productions, a company dedicated
to
student-written work, for which she directed The War Hall;
she also performed with Titanic Players long-form
improvisation. Last summer she appeared in Cut-to-the-Chase
at The Artistic Home, where she studies Meisner.
Alan Wilder (Ezekial Cheever) joined the ensemble in 1976 and has
appeared
in over fifty-five productions with the company including I
Never Sang For My Father, Glengarry Glen Ross, The Man Who Came to
Dinner, The Libertine, The Grapes of
Wrath in Chicago, LaJolla and London,
Aunt Dan and Lemon, Cat on a Hot Tin
Roof, Streamers at the AT&T
Performing Arts Festival at the Kennedy Center, The
Caretaker in Chicago and New York, Of Mice and Men,
Balm in
Gilead and Death of a Salesman.
Outside Steppenwolf, Wilder has performed in the Los Angeles production
of Picasso at the Lapin Agile, the
Guthrie Theatre’s U.S. premiere of Pravda, the Remains
Theatre production
of Highest Standard of Living, Wisdom
Bridge Theatre’s Travesties and The
Importance of Being Earnest and the
Lyric Opera’s The Merry Widow.
His film credits include A Civil
Action, Childsplay, Home Alone, A
League of Their Own, Sour Grapes, Straight Talk and
the HBO
movies Always Out Numbered and Socrates
with Laurie Metcalf and
Laurence Fishburne.
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