the
GOODMAN THEATRE
170
N.
Dearborn Street
(312)
443-3800
 
Photos
from "Long Days Journey Into
Night" and
"the Thugs

Pictured in The Trip to Bountiful by Horton Foote directed by
Harris Yulin are
(l to r) Lois Smith
(Carrie Watts), Devon Abner (Ludie) and Hallie Foote (Jessie Mae). The Trip to Bountiful begins performances on March
1 in the Goodman's Albert Theatre, and runs through April 6.
Photo by
Michael Brosilow
the GOODMAN
THEATRE
presents: "The Trip to Bountiful"
by Horton Foote
runs March 1 -
April 6
review by
Ed Vincent
Written more than
a half a century ago, and just as relevant and fresh as the day
Mr. Foote put down his pen. The Goodman's presentation is a treasure and a must see
for all lovers of live drama, but
it much more than that. The settings, the scene transititions,
the lighting, and wonderful
direction of Harris Yulin will bring you back to see it again - perhaps with new friends.
Eugene Gladstone
O'Neill, who died in the same year as this
play was first produced would be envious of the draw this play has
seen. Horton Foote's masterpiece "The Trip to Bountiful"
is an amalgam in styles of the best of Eugene O'Neill's dramas
with a slice of Niel Simon. Foote's work is timeless, engaging,
pensive, restless, and in the end redemptive and resolute. It is
filled from start to finish with humour, sarcasim, pulled heart
strings, irony, secrets, and
pretty legs from time to time.
The cast is tremendous, and two are members of the author's
family, his daughter Hallie Foote, as Jessie Mae and his son-in-law
Devon Abner, as Ludie, each does a talented job
of giving life to the pen of Horton Foote.

Lois Smith
(Carrie Watts) and Devon Abner (Ludie), gaze on the full moon and speak of the
past.
Photo by
Michael Brosilow.
The
tumultuous day embraces the past, future and present in
a small town with good people in good times, sharing empathy
and humanity. Seizing the day, and night with a multitude of
inspired moments.
Lois Smith, as Carrie Watts, is a well known Chicago actress
and has been entertaining many of us for years with her work
at Steppenwolf, she is now shinning brightly at the Goodman
and bringing the audience to their feet each night since its opening.
I had the distinct privilege of sitting across the isle from the
author on the night of our attendance. When Ms. Smith came
to the stage at curtain call Horton Foote rose slowly to his feet and
paid his due for a job well done. He indicated that he will be to
more of the shows and that he enjoyed the performance.
I will second his view and add that this is one of those truly special
moments in theater and a grand event at the Goodman
that you will not want to miss.

Meghan
Andrews (Thelma) and Lois Smith (Carrie Watts), ride a bus in
the middle of the night through Texas, in The Trip to
Bountiful.
Photo
by Michael Brosilow
Lois Smith, as
Carrie Watts, listening to the call of
wild birds in Bountiful.
Photo by
Michael Brosilow
VETERAN ACTOR LOIS SMITH STARS IN THE TRIP TO
BOUNTIFUL, THE CENTERPIECE OF THE GOODMAN'S HORTON FOOTE FESTIVAL
***HARRIS YULIN RETURNS TO THE GOODMAN TO DIRECT THE 1953 CLASSIC***
(Chicago, IL - February 7, 2008) Goodman Theatre
welcomes director Harris Yulin and actor Lois Smith as they team up for
The Trip to Bountiful, Horton Foote's beloved 1953
play featuring Hallie Foote and Devon Abner—Foote's eldest daughter and
son-in-law, respectively-and Meghan Andrews. The Trip to Bountiful
caps the Goodman's landmark 10-week festival honoring Horton Foote,
"[one of the] strongest, most individual and most abidingly relevant
voices in theater" (The New York Times). The Trip to
Bountiful runs March 1 - April 6; opening night is March 10 at 7pm.
A calendar with complete dates, times and ticket prices for The
Trip to Bountiful appears at the end of this release. Allstate is
the exclusive corporate sponsor of The Trip to Bountiful.
"The Trip to Bountiful is one of Horton's
finest works-a story of seemingly ordinary people that is told with
heartbreaking and life-affirming delicacy," said Artistic Director
Robert Falls. "Revived with exquisite care and insight by Harris Yulin
at New York's Signature Theatre last year, the production featured a
masterful performance by Lois Smith. I am thrilled to recreate and
include this triumphant production for our celebration of this living
legend at the Goodman."
The Trip to Bountiful was first written
and performed as a live teleplay for The Philco Television Playhouse in
1953, starring Lillian Gish—who would perform the role on Broadway
later that year. In 1985, Foote adapted The Trip to Bountiful
into an Academy Award-winning film starring Geraldine Page. Set in the
late 1940s, The Trip to Bountiful focuses on Mrs. Carrie Watts
(Smith), a widow who is suffocatingly unhappy living in a Houston
apartment with her grown son Ludie (Abner) and his overbearing wife
Jessie Mae (Hallie Foote). Carrie dreams of returning to the tiny town
of Bountiful, Texas-where she grew up, and which she left three decades
earlier. Undaunted by her family and unafraid of a final grand
adventure, Carrie sets out on a journey into her past, seeking solace
in the place she once called home.
The Goodman's Horton Foote Festival continues a
burgeoning tradition at Goodman Theatre of exploring the work of the
most important, influential and moving writers for the stage. The
Goodman's festivals have honored playwrights August Wilson (2007),
David Mamet (2006), Edward Albee (2005)-and in 2009, Eugene O'Neill.
About Horton Foote
Academy Award-winner and playwright Horton Foote's
realistic portrayal of locales and characters of southeastern Texas has
been his signature for more than five decades of writing for the stage,
television and film. He was born in 1916 in Wharton, Texas-the town he
would subsequently use as the setting for many of his plays, under the
pseudonym "Harrison." His first play, Wharton Dance, was
produced in New York in 1941 and was followed by Texas Town
(1942), Only the Heart (1944), Celebration (1948), The
Chase (1952) and The Traveling Lady (1954). He wrote The
Trip to Bountiful for NBC television in 1953 and adapted it for
Broadway later that year. He achieved prominence writing for television
and film during the 1950s and 1960s for such works as The Dancers
(1954), A Young Lady of Property (1956), Flight (1957), Storm
Fear (1955) and Baby, The Rain Must Fall (1964).
Foote has won two Academy Awards, the first for his
screen adaptation of Harper Lee's To Kill a Mockingbird (1962)
and the second for his original screenplay, Tender Mercies (1983).
Other film work includes Tomorrow (1972), the movie version of The
Trip to Bountiful, nominated for an Academy Award (1985), Convicts
(1989) and Lily Dale (1996).
In recent years, Foote has returned to concentrating
on theater; among the many plays which have earned him acclaim have
been The Roads to Home (1982), 1918 (1987), Lily
Dale (1988), The Widow Claire (1988), Dividing the
Estate (1989), The Last of the Thorntons (2001), The
Carpetbagger's Children and Getting Frankie Married…and
Afterward (both 2002). The Young Man From Atlanta won the
1995 Pulitzer Prize, following its premiere at Signature Theatre
Company off-Broadway, as part of a season devoted entirely to Foote
works. In December 2000, President Clinton awarded Foote the National
Medal of Arts.
About the Cast and Company
Director Harris Yulin returns to the Goodman
where he most recently appeared onstage as legendary Chicago architect
Louis Sullivan in Frank's Home by Richard Nelson, directed by
Robert Falls. He previously appeared at the Goodman in Falls' world
premiere staging of Arthur Miller's Finishing the Picture and
has appeared on Broadway in Hedda Gabler, The Price, The Diary of
Anne Frank, The Visit, A Lesson From Aloes, and Watch On The
Rhine. His off-Broadway credits include Raindance at
Signature Theatre; Don Juan In Hell at Symphony Space; Steve
Tesich's Arts and Leisure at Playwrights Horizons; Tina Howe's Approaching
Zanzibar at Second Stage; Hamlet, King John, Richard III,
and A Midsummer Night's Dream at New York Shakespeare Festival;
and Mrs. Warren's Profession and Hedda Gabler at
Roundabout Theatre Company. Regional credits include the title role of King
Lear at New Jersey Shakespeare Festival; The Talking Cure
at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry
V at Hartford Stage; and The Tempest at Shakespeare &
Co. Yulin's television and film credits include Mister Sterling,
24, Buffy the Vampire Slayer, Frasier, La Femme Nikita, The Emperor's
Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking
for Richard, Murder at 1600, Multiplicity, Clear and Present Danger
and Scarface.
Lois Smith (Carrie Watts) played Carrie Watts
in Horton Foote's The Trip to Bountiful at Signature Theatre
Company, for which she received an Obie Award, a Lucille Lortel Award,
a Drama Desk Award, an Outer Critics Circle Award and the
Kingsley-Evans Award. She has appeared at Steppenwolf (where she is an
ensemble member) in The Grapes of Wrath, Buried Child, Mother
Courage and The Royal Family. She has appeared on Broadway
in Time Out for Ginger, The Young and the Beautiful, Blues for Mr.
Charlie and the original production of Orpheus Descending.
She has appeared in many other plays on Broadway, off-Broadway and in
regional theaters including Uncle Vanya at Mark Taper Forum; The
Sea Gull at Guthrie Theater; and The Cherry Orchard and Escape
from Happiness at Centerstage. She also appeared in The Front
Page at Long Wharf Theatre; The Stick Wife at Hartford Stage; and
Defying Gravity off-Broadway. She is a longtime member of The Actors
Studio and The Ensemble Studio Theatre, where she has appeared in many
one-act play marathons including plays by Romulus Linney and Horton
Foote's The Man Who Climbed the Pecan Trees. Film credits
include East of Eden with James Dean, Five Easy Pieces,
Next Stop Greenwich Village, Four Friends, Black Widow, Falling Down,
Fried Green Tomatoes, Twister, Larger than Life, How to Make an
American Quilt, Dead Man Walking, Minority Report, Hollywoodland, Sweet
Land and Diminished Capacity. Smith's early television play
credits include Miss Julie and The Master Builder on
Public Television's "Play of the Week." Since then she has appeared in
many television films and miniseries and guest-starred in series
including Frasier, Just Shoot Me, Law and Order, Cold Case, ER,
Grey's Anatomy, Truman, The Laramie Project and Iron Jawed
Angels.
Devon Abner (Ludie) makes his Goodman debut. He
reprises his role of Carrie's son Ludie, in which he appeared in the
Signature Theatre production of The Trip to Bountiful. He was
most recently in Dividing the Estate at Primary Stages in New
York. He has performed in a number of other Horton Foote plays and is a
member of the Actor's Studio. Meghan Andrews (Thelma) makes her
Chicago debut. Broadway credits include Frost/Nixon and The
Grapes of Wrath. She received a 2006 Lucille Lortel Nomination for
her work in The Trip to Bountiful. Other credits include
numerous productions at Ensemble Studio Theatre, Clocks and Whistles
(Origin Theatre Company), All's Well That Ends Well (Blessed
Unrest), Doubt (GeorgeStreet Playhouse), Dracula
(Fulton Theatre) and Honky Tonk Angels (Alabama Shakespeare
Festival).
Hallie Foote (Jessie Mae) makes her Goodman
debut.
Off-Broadway credits include Dividing the Estate, The Day Emily
Married, When They Speak of Rita (Primary Stages); The
Carpetbagger's Children (Lincoln Center); The Trip to
Bountiful, The Last of the Thorntons, Talking Pictures, Night Seasons,
Laura Dennis (Signature Theatre); The Roads to Home (Circle
in the Square); The Widow Claire (Lamb's Theatre). Regional
credits include The Carpetbagger's Children (Alley Theatre,
Hartford Stage and Guthrie Theater), The Death of Papa
(Playmakers Rep), God's Pictures (Indiana Rep). The ensemble
includes Brad Armacost, Erica Elam, Stephen Georgiou, Frank
Girardeau, Danny Goldring, Dean Hill, Ellen Karas, James Krag, Emily
Mark, Taube Schwartz, Kyle Warren.
The design team for The Trip to Bountiful
includes David Cosier (Set Design), Martin Pakledinaz
(Costume Design), John McKernon (Lighting Design) and Brett
Jarvis (Sound Design/Composer).
Tickets to The Trip to Bountiful are $23 to
$75 (partial view seating starts at $11.50) and may be purchased
online at GoodmanTheatre.org, at the Goodman Theatre Box Office, 170
North Dearborn Street, or charged by phoning 312.443.3800. See Foote
Festival calendar for specific dates, times and prices. Mezztix are
half-price mezzanine tickets available at 12 noon at the box office,
and at 10am online at GoodmanTheatre.org on the day of performance,
subject to availability; Mezztix are not available by telephone. When
purchasing on GoodmanTheatre.org, enter the promo code MEZZTIX. 10Tix
are $10 mezzanine tickets for students available at 12 noon at the box
office, and at 10am online at GoodmanTheatre.org on the day of
performance, subject to availability; 10Tix are not available by
telephone. Valid student I.D. must be presented when picking up the
tickets at will call. Limit 4 tickets per student with I.D. Tickets are
subject to availability and handling fees apply. Group tickets are
available by contacting Group Sales Manager Kim Furganson at
312.443.3820 or e-mail KimFurganson@GoodmanTheatre.org.
About Goodman Theatre
Named the country's Best Regional Theatre by Time
magazine (2003), Goodman Theatre is a leader in the American theater,
internationally recognized for its artists, productions and educational
programs since its founding in 1925. Artistic Director Robert Falls and
Executive Director Roche Schulfer's forward-thinking leadership has
earned the Goodman unparalleled artistic distinction, garnered hundreds
of awards-including the Tony Award for Outstanding Regional Theatre
(1992)-and moved dozens of plays from Chicago to stages in New York and
abroad. Central to its commitment to the reinvestigation of classics
and development of new plays and artists is the Goodman's Artistic
Collective, including Frank Galati, Henry Godinez, Chuck Smith, Regina
Taylor and Mary Zimmerman. The largest not-for-profit theater in
Chicago, the Goodman moved in 2000 into a brand new state-of-the-art
complex which houses two principal theaters: the 856-seat Albert Ivar
Goodman Theatre and the 400-seat flexible Owen Bruner Goodman Theatre.
Board Chairman is Shawn M. Donnelley and Alice Young Sabl is chair of
the Women's Board. American Airlines is the Exclusive Airline of
Goodman Theatre. Kraft Foods is the Principal Sponsor of the Goodman's
free Student Subscription Series.
Still to come in the 2007/2008 season include: The
Ballad of Emmett Till by Ifa Bayeza, directed by Oz Scott (April 26
- June 1, 2008); Ain't Misbehavin': The Fats Waller Musical Show,
based on an idea by Murray Horwitz and Richard Maltby, Jr., music by
Fats Waller, directed by Chuck Smith (June 21 - July 27, 2008).
Recently announced productions in the 2008/2009 season
include Turn of the Century by Marshall Brickman and Rick
Elice, directed by Tommy Tune (in 2008; dates TBD); Ruined by
Lynn Nottage, directed by Kate Whoriskey (in 2008; dates TBD); Yohen
by Philip Kan Gotanda, directed by Steve Scott (a co-production with
Silk Road Theatre Company, performed at Silk Road
Theatre, 77 W. Washington St., September 18 - November 2, 2008); and
Desire Under the Elms, starring Brian Dennehy, directed by Robert
Falls (in 2009; dates TBD); and Ghostwritten by Naomi Iizuka,
directed by Lisa Portes (in 2009; dates TBD).
HORTON
FOOTE'S FILMS ROLL AT GOODMAN THEATRE
***Foote joins Chicago Tribune film critic Michael Phillips on stage
for evening of seven movie clips and a screening of his Academy
Award-winner Tender Mercies***
(Chicago, IL - March 10, 2008) For one night only on
March 17, Goodman Theatre becomes a picture show-complete with fresh
popcorn-for a celebration of the classic films of Horton Foote. Chicago
Tribune film critic Michael Phillips leads an evening of seven
movie clips with commentary followed by a screening of Tender
Mercies, Foote's 1983 Academy Award-winner. The Films of Horton
Foote takes place on Monday, March 17 beginning at 5:30pm. Admission is
free, but reservations are required: 312.443.3800. The Goodman's
landmark 10-week Horton Foote Festival honors "[one of the] strongest,
most individual and most abidingly relevant voices in theater" (The
New York Times). Currently on stage is The Trip to Bountiful
featuring Lois Smith, through April 6.
About
the Films
- Horton Foote received an Academy Award for his
screenplay for To Kill a Mockingbird (1962), an
adaptation of Harper Lee's Pulitzer Prize-winning novel about childhood
and racism in Alabama, starring Gregory Peck.
- Based on Foote's play, Baby, the Rain Must
Fall (1965) stars Steve McQueen as an ex-con and Lee Remick as
his long-suffering wife.
- Tomorrow (1972) is based on a William
Faulkner short story and stars Robert Duvall as a lonely farmer who
takes in a pregnant woman.
- Matthew Broderick and Hallie Foote appear in the
World War I story 1918 (1985), based on Foote's play.
- Hallie Foote stars in Courtship
(1987) as a young woman whose parents disapprove of her relationship
with a young man.
- Convicts (1991) is an adaptation of
Foote's nine-play series The Orphans' Home Cycle. Robert Duvall
stars as a plantation owner who employs convicts to keep his farm from
failing.
- Foote adapted John Steinbeck's Of Mice and
Men (1992) for the screen, starring Gary Sinise and John
Malkovich.
- In Tender Mercies Robert Duvall
plays Mac Sledge, a country singer and recovering alcoholic transformed
by his relationship with a young widow and her son. Foote based his
Academy Award-winning screenplay on his nephew's experiences as a
drummer for singer George Strait. Duvall also won an Academy Award for
Best Actor.
Michael
Phillips is the film critic of the Chicago Tribune. He was
the Tribune's drama critic from 2002 to 2005. Before that Phillips
served as drama critic of the Los Angeles Times; the St. Paul
Pioneer Press; the San Diego Union-Tribune; and the Dallas
Times Herald. He was arts editor and film critic of the Twin Cities
weekly City Pages, and reviewed film for Minnesota Public
Radio. He fills in regularly for Roger Ebert on At the Movies with
Ebert & Roeper. Three times he served as a drama juror for the
Pulitzer Prizes and he had the honor of chairing the jury a fourth
year. Phillips teaches at the University of Chicago Graham School of
General Studies, the USC/NEA arts journalism workshop in Los Angeles
and the O'Neill Theater Center National Critics Institute in Waterford,
CT. He lives on Chicago's northwest side with his wife, Andrea
Lenaburg, and their seven-year-
old son, John.
Academy Award-winner and playwright Horton Foote's
realistic portrayal of locales and characters of southeastern Texas has
been his signature for more than five decades of writing for the stage,
television and film. He was born in 1916 in Wharton, Texas-the town he
would subsequently use as the setting for many of his plays, under the
pseudonym "Harrison." His first play, Wharton Dance, was
produced in New York in 1941 and was followed by Texas Town
(1942), Only the Heart (1944), Celebration (1948), The
Chase (1952) and The Traveling Lady (1954). He wrote The
Trip to Bountiful for NBC television in 1953 and adapted it for
Broadway later that year. He achieved prominence writing for television
and film during the 1950s and 1960s for such works as The Dancers
(1954), A Young Lady of Property (1956), Flight (1957), Storm
Fear (1955) and Baby, The Rain Must Fall (1964).
Foote has won two Academy Awards, the first for his
screen adaptation of Harper Lee's To Kill a Mockingbird (1962)
and the second for his original screenplay, Tender Mercies (1983).
Other film work includes Tomorrow (1972), the movie version of The
Trip to Bountiful, nominated for an Academy Award (1985), Convicts
(1989) and Lily Dale (1996).
In recent years, Foote has returned to concentrating
on theater; among the many plays which have earned him acclaim have
been The Roads to Home (1982), 1918 (1987), Lily
Dale (1988), The Widow Claire (1988), Dividing the
Estate (1989), The Last of the Thorntons (2001), The
Carpetbagger's Children and Getting Frankie Married…and
Afterward (both 2002). The Young Man From Atlanta won the
1995 Pulitzer Prize, following its premiere at Signature Theatre
Company off-Broadway, as part of a season devoted entirely to Foote
works. In December 2000, President Clinton awarded Foote the National
Medal of Arts.
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