For 30 years, Goodman Theatre Presents A Christmas Carol
until
December 29th
review by Ed Vincent
This year's
production will be the mark that all others shall be judged
against. The sets aren't new, but their transitions and effects
are. Many cast members are here from last year. The role of
Ebenezer Scrooge is played this year by the
wonderful Larry Yando.
Mr. Yando takes the tale of this King of Curmudgeons, the dark Santa,
and the bloodless bill collector to glorious new heights of
anti-humanitarian evil. This year's Scrooge is vile, sardonic,
even
his sarcasm is more potent than necessary, he is dramatically enhanced
for this year's show. I loved his role, as did others with the
standing ovation at the end, clearly starting with Scrooge's curtain
call. The contrast in his character, the reformation of his evil
deeds, and his eventual transformation into a elder statesman
of philanthropy are equally portrayed with the polar opposites
performed in the earlier elements of the drama. Perhaps the best
Scrooge of all.
Bradley Mott, who plays both the Ghost of Christmas Present
and the unforgettable Mr. Fezziwig is such a star in the role that if
he should ever fall ill the show would have to be canceled until he
returned--he's that good in
the role.
Oak Parkers will remember the talented director/actor Kevin
Theis, who plays the Undertaker. This last summer he helped bring
to stage the wonderful creation of Robin Hood to our Oak
Park Festival Theater in Elizabethan verbage and tongue. Kevin
has some fine spoken deliveries and sets the tone for the story to
follow.
Ryan Cowhey playing the soulful role of Tiny Tim, vexes the heart
with his entrance to the stage wearing leg braces. When he slowly
makes his way across the stage the entire theater becomes quiescent
and transfixed on his progress of movement.
Dicken's writing is both from the heart and to the heart and this
years cast makes the show a must see for anyone desiring the first
gift of the season, the joy of a new start mixed with helping of
forgiveness.

Charles
Dickens' A Christmas Carol, Bradley Mott (Ghost of Christmas Present)
and Larry Yando (Ebenezer Scrooge) watching the Cratchit family toast.
The Cratchits are (clockwise, from left) Ron Rains (Bob Cratchit), Ryan
Cowhey (Tiny Tim),
Laura Coover (Martha), Lucy Godinez (Belinda), Karen Janes Woditsch
(Mrs. Cratchit), Laney Kraus-Taddeo (Emily) and Robert Gerdisch (Peter).
GoodmanTheatre.org or call 312.443.3800.
Photo: Michael Brosilow

Larry Yando
(Ebenezer Scrooge) and Ryan Cowhey (Tiny Tim).
Photo: Michael Brosilow
A CHRISTMAS CAROL CELEBRATES
30 YEARS AT GOODMAN THEATRE,
ONE MILLIONTH TICKET BUYER
TO BE HONORED
***Anniversary production
features new Scrooge Larry Yando,
a Family Benefit on
December 2 and a Luxury Ticket Package for the holidays***
(Chicago,
IL – October
26, 2007) For 30 years, Goodman Theatre has proudly made A Christmas Carol a Chicago holiday
institution—host of seven Scrooges, 27 Tiny Tims, over 17,000 “Bah
Humbug!”s, and featured such notables as Del Close, Harry J. Lennix,
Felicia P. Fields, Raul Esparza, Sally Murphy and Frank Galati. During
the celebratory season, the one millionth ticket will be purchased, and
its lucky bearer will receive a special surprise at the Box Office upon
ticket pick-up. Returning for his second season as director, William
Brown taps his longtime friend, collaborator and sometimes cast mate
Larry Yando to portray the irascible Ebenezer Scrooge. The
anniversary season also includes a luncheon event for the entire family
on Sunday, December 2 at 11:30am in the Narcissus Room at Macy’s on State Street.
In addition, the new Luxury Ticket Package, which includes access to
the best seats in the house and free parking, among other exclusive
benefits, is now on sale. A
Christmas Carol runs November 16 – December 29 in the
Albert
Theatre;
Dates, times and ticket prices for the production, Family Benefit and
Luxury Ticket Package appear at the end of this release. Harris
Private Bank is the Major Corporate Sponsor and Aon Corporation and
KPMG LLP are Corporate Sponsor Partners.
“Twenty-nine years ago, it was impossible to
imagine what an incredible impact A
Christmas Carol could have on Chicago,” said Executive
Director Roche Schulfer,
who was instrumental in producing the show at the Goodman at a time
when only a handful of theaters in the country had mounted the
production. “It has become the entry point to theater for legions
of young people, as well as an annual tradition for thousands of
families. Our creative team takes care to make the production a
new experience each year, through different interpretations and
ideas. We are very
proud to consistently deliver the premier holiday theatrical offering
in our city.”
Throughout its history at the Goodman, the
production has been heralded “a joyous present for the entire family” (Chicago Sun-Times), “year after
year…the crown jewel of the holiday season” (Daily Herald), “the best show
to get at the meaning
of Christmas” (Daily Southtown) and “ideal family fare, both
heartwarming and spectacular in its familiar tale” (Chicago Tribune). Charles
Dickens’ A Christmas Carol
is the tale of the miserly Ebenezer Scrooge, oblivious to holiday cheer
and to the sufferings of the poor in Victorian London, whose attitude
toward Christmas is the dour, “Bah, Humbug!” On Christmas Eve, Scrooge
is visited by four ghosts who offer him the opportunity to sympathize
with his fellow man. Famous characters include Scrooge’s kind-hearted
clerk Bob Cratchit and his family, including son Tiny Tim; the Ghosts
of Christmas Past,
Present and Future; the merry-making Fezziwig
couple; and the Ghost of Jacob Marley.
<>Seven directors have helmed Dickens’ novella
over the past 30 years, including
Tony Mockus (1978 –1983), Gregory Mosher (1984), Sandra Grand (1985 and
1986), Michael Maggio (1987 and 1988), Steve Scott (1989 –1992), Chuck Smith (1993 – 1995), Henry Godinez (1996 –2001), Kate Buckley
(2002 – 2005) and William Brown
(2006 and 2007)—the current director who first appeared in A Christmas Carol in the late
1980s as Scrooge’s infectiously optimistic nephew Fred; and from 2002 –
2005, he donned the whiskers and glowering countenance of Scrooge in
Buckley’s production. Brown’s directing credits include Northlight
Theatre, Writers’ Theatre, TimeLine, Milwaukee Repertory Theatre,
American Players Theatre and Notre Dame Summer Shakespeare. He is
Associate Artistic Director of Montana Shakespeare in the Parks.>
The Cast
and Creative Team
Larry Yando makes his Goodman debut as
the production’s seventh Ebenezer Scrooge, a role previously played by
veteran Chicago actors William J. Norris (1978 – 1983 and 1985 – 1990),
Frank Galati (1984), Tom Mula (1991 – 1997), Rick Snyder (1998 – 2001),
Brown (2002 – 2005) and Jonathan Weir (2006). Yando has worked with
Brown on many productions, including Nixon’s Nixon at Writers’
Theatre and The Importance of
Being Earnest at Court Theatre. Most recently he
played the title role in Cymbeline
at Chicago Shakespeare Theater, and for the past three years he
appeared as Scar in the national touring production of The Lion King.
Several actors new to A Christmas Carol in the 30th
anniversary production
include Ron Rains (Bob
Cratchit), Ann Joseph
(Miss Crumb), Brendan
Marshall-Rashid (Ghost of Christmas Future), Bret Tuomi (Chestnut seller), Adam Poss (Dick Wilkins), Matthew Gold (Turkey Boy) and Eric Galvan (Ignorance).
Returning cast members include William J. Norris (who has been
part of A Christmas Carol
since the first production in 1978, for which he played Scrooge), Karen Janes Woditsch (Mrs.
Cratchit), Martin Yurek
(Jacob Marley), Kevin Theis
(Undertaker), Katie Jeep
(Belle), Steve Hinger
(Fred), Penelope Walker
(Abby), Bradley Mott
(Mr. Fezziwig and Ghost of Christmas Present), Sharon Sachs (Mrs. Fezziwig) and
Steve Haggard
(Ghost of Christmas Past).
The Cratchit children include three young
actors returning this season: Ryan
Cowhey (Tiny Tim), Lucy
Godinez (Belinda) and Laney
Kraus-Taddeo (Emily) – and two new additions: Laura Coover (Martha), and Robert Gerdisch (Peter).
Four live musicians—Justin Amolsch,
Gregory Hirte,
Bethany Jorgensen
and Malcolm Ruhl—round
out the cast.
A
Christmas Carol unites a long-time creative team, including
Resident Lighting Designer Robert
Christen – who has designed the lights for all 30
productions in the Goodman’s history. The theater has used the
adaptation of A Christmas Carol
by former dramaturg Tom Creamer
since 1989; Costume Shop Manager Heidi
Sue McMath has designed the costumes for since 2001; new
this season, Cecil Averett,
whose work was last heard at the Goodman in Passion Play: a cycle in three parts by
Sarah Ruhl, designs sound for the production.
A
Christmas Carol Family Benefit
December 2
11:30am – Luncheon in the Narcissus Room at
Macy’s on State Street
2:00pm – Matinee performance of A Christmas Carol
Tickets start at $150
Celebrate 30 years of Goodman history at
Macy’s with a reception and lunch featuring characters from Charles
Dickens’ A Christmas Carol,
followed by a
2pm matinee performance. Call 312.443.3811, ext. 584 for tickets
and additional information.
Tickets
Tickets to A Christmas Carol are $20 to
$70 and may be purchased online at GoodmanTheatre.org, at the Goodman
Theatre Box Office, 170 North Dearborn, or charged by phone at
312.443.3800. See calendar below
for prices on specific dates.
The Luxury
Ticket Package includes one-time access to the exclusive
Patron’s Lounge, complimentary non-alcoholic beverages, VIP coat check
(all for up to seven people); plus free Parking (one parking pass per
package) and one A Christmas Carol
30th anniversary commemorative ornament. The price of
the Luxury Ticket Package is the cost of main floor seats plus a $250
tax-deductible donation to the Goodman.
MezzTix are half-price mezzanine
tickets available at 6pm for evening shows and 12 noon for matinees at
the box office, and at 10am online at GoodmanTheatre.org on the day of
performance, subject to availability. Groups of 15 or more, call 312.443.3820.
<>About Goodman
Theatre>
Named the country’s Best Regional Theatre by Time magazine (2003), Goodman
Theatre is a leader in the American theater, internationally recognized
for its artists, productions and educational programs since its
founding in 1925. Artistic Director Robert Falls
and Executive Director Roche Schulfer’s
forward-thinking leadership has earned the Goodman unparalleled
artistic distinction, garnered hundreds of awards—including the Tony Award for Outstanding Regional Theatre (1992)—and moved
dozens of plays from Chicago to stages
in New York
and abroad. Central to its commitment to the reinvestigation of
classics and development of new plays and artists is the Goodman’s
Artistic Collective, including Frank Galati, Henry
Godinez, Chuck Smith, Regina Taylor and Mary
Zimmerman. The largest not-for-profit theater in Chicago, the
Goodman moved in 2000 into a brand new state-of-the-art complex which
houses two principal theaters: the 856-seat Albert Ivar Goodman Theatre
and the 400-seat flexible Owen Bruner Goodman Theatre. Board Chairman
is Shawn M. Donnelley and Alice Young Sabl is chair of the Women’s
Board. American Airlines is the Exclusive Airline of Goodman Theatre.
Kraft Foods is the Principal Sponsor of the Goodman’s free Student
Subscription Series.
Upcoming productions in the 2007/2008 season
include: Shining City
by Conor McPherson, directed by Robert Falls
(January 12 – February 17, 2008); The Horton Foote Festival (including The Trip to Bountiful, Talking Pictures, Blind Date and The Actor – events begin
January 2008); Ain’t Misbehavin’:
The Fats Waller Musical Show based on an idea by Murray
Horwitz and Richard Maltby, Jr., music by Fats Waller, directed by
Chuck Smith (April 5 – May 4, 2008); The Ballad of Emmett Till by
Ifa Bayeza (April 26 – June 1, 2008); The Boys are Coming Home, music
and lyrics by Leslie Arden, book by Rebecca Gilman, directed by David
Petrarca (June 21 – July 27, 2008).
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