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Marcus Center for the
Performing
Arts
929 N. Water St.,
Milwaukee, Wisconsin
Milwaukee
Symphony Orchestra,
Milwaukee, Wisconsin
© Oak Park Journal
Romeo & Juliet
(I Capuleti e i Montecchi)
by Bellini

Romeo & Juliet
Bellini's I Capuleti e i Montecchi
at the Marcus Center for the Performing Arts
April 25, 26 & 27, 2008
review
by Ed
Vincent
coming soon...
Florentine Opera
presents
Cast
& Artist Biographies
Georgia Jarman / Giulietta
Marianna
Kulikova / Romeo
Kurt
Link / Lorenzo
Jamie
Offenbach / Capellio
Scott
Piper / Tebaldo
Joseph
Rescigno / Conductor
Bernard
Uzan / Stage Director
Cast Biographies
The great librettist Arrigo Boito once said, “Who does not love
Vincenzo Bellini, does not love music.” Likewise, he who does not love
the story of Romeo and Juliet does not know love. Separated by family,
drawn irresistibly together by young love’s yearning, Romeo and Juliet
sacrifice everything because they are unwilling to sacrifice just one
thing – their love for each other.
Romeo & Juliet (I Capuleti e i Montecchi) will be sung in Italian
with English translations projected above the stage.
Romeo & Juliet
Synopsis
cited from Matthew Boyden
Act I
Capello, the chief of the Capuleti refuses to agree to a pact through
which his daughter Giulietta would marry Romeo of the Montecchi clan,
and orders that her marriage to Tebaldo should go ahead
immediately. Romeo fails to persuade Giulietta to elope, and so
he and his supporters enter the city and disrupt the marriage
celebrations.
Act II
Giulietta is informed by Lorenzo, the family doctor, that the only way
to secure her freedom from Tebaldo is to take a sleeping draught that
will give the impression that she is dead. She will be revived in
the family vault, where he and Romeo will be waiting. The plan
backfires when Lorenzo is arrested. Romeo believes Giulietta to
be dead and takes poison but as he lies dying Giulietta wakes up.
Hoping to avert the tragedy Lorenzo rushes in but he is too late: Romeo
and Giulietta are lying dead in each other’s arms.
Vincenzo
Bellini / Composer
cited from Matthew Boyden and The New Grove Dictionary of Opera
Born in Cantina, Sicily on November 3, 1801, Bellini was the oldest of
seven children born to a family of musicians. Vincenzo was
given piano lessons by his father at a very early age and was said to
have played marvelously by the age of five. At seven, his
principal composition teacher was his grandfather. Bellini
continued to write music, which was heard in churches and in the salons
of the aristocrats and politicians. Bellini went to Naples in
June 1819 to study at the conservatory.
In 1825, out of custom at Naples conservatory, Bellini was the chosen
composition student to have one of his works performed
for the public. Bellini and his cast of pupils performed Adelson
e Salvini and its success led to a commission for an opera for a gala
evening at the Teatro S Carlo. This opera, Bianca e Fernando was
successful in May 1826. This led to an invitation from La Scala
and an introduction to Felice Romani, Italy’s most respected theatrical
poet. This collaboration produced Il pirata, and before long
three more masterpieces: I Capuleti e i Montecchi, La Sonnambula, and
Norma. After an opera failure, the relationship between Bellini
and Romani collapsed. Shortly thereafter, an affair with the
married Giuditta Turina ended with her husband nearly forcing the
composer out of the country. Bellini fled to London where he
assisted in the production of his three operas. While in Paris,
friend Rossini supported Bellini and convinced him to preserve his
opera despite the weakness of the text of I puritani. The work
was staged in January 1835, just eight months before Bellini’s death
from acute gastroenteritis on September 23, 1835.
http://www.florentineopera.org/
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Directions from
Chicago
290 (Eisenhower)
West to 294
North Toll road (Wisconsin)
94 North to Wisconsin
then 794
East to Downtown
Milwaukee. The
road forks
and you go to the left, North.
The road turns away
from the
lake and you are now of the
Expressway.
Proceed west
until Water Street. Turn right,
North, on Water Street
and go
several blocks north until
you reach the Marcus
Center for the Performing Arts
929 N. Water
Street. Parking
is across the street and
connected by an above
ground
crosswalk.
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